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Showing posts from April, 2024
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Three Great Documentaries to Stream
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Blue Ivy Carter to Join Beyoncé in ‘Mufasa: The Lion King’
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A Starry Cast Navigates ‘Uncle Vanya’ and ‘Every Emotion Under the Sun’
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How They Served the Tennis Scenes in ‘Challengers’
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With ‘Challengers’ and ‘Saltburn,’ Hollywood Movies Embrace Sex Again
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‘The Interview’ Podcast: Anne Hathaway
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8 New Movies Our Critics Are Talking About This Week
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‘Challengers’ Review: Game, Set, Love Matches
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Zendaya, Luca Guadagnino, Josh O’Connor and Mike Faist on ‘Challengers’
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Review: Steve Carell as the 50-Year-Old Loser in a Comic ‘Uncle Vanya’
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Video Shows Crash That Injured Crew Members of ‘The Pickup’
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What Directors Love About Nicole Kidman
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‘Mary Jane’ Review: When Parenting Means Intensive Care
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Sydney Sweeney and Glen Powell Explain ‘Anyone but You’ Going From Miss to Hit
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Lourdes Portillo, Oscar-Nominated Documentary Filmmaker, Dies at 80
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‘Cabaret’ Review: Dancing, and Screaming, at the End of the World
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‘Catfish,’ the TV Show That Predicted America’s Disorienting Digital Future
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With ‘The Amityville Horror,’ One House. Many Haunts.
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4 Documentaries That Explore How Families Cope With Dementia
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‘Rebel Moon — Part Two: The Scargiver’ Review: Of Stars and Wars
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‘The Ministry of Ungentlemanly Warfare’ Review: War, Undemanding
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‘Abigail’ Review: Horror by Numbers
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‘The Wiz’ Review: A Black Classic Returns to Broadway
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2024 Tribeca Festival Event Lineup Released
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2024 Tribeca Festival Event Lineup Released
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Denis Villeneuve Answers All Your ‘Dune: Part Two’ Questions
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Participant, Maker of Films With Social Conscience, Calls It Quits
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The Beatles’ ‘Let It Be’ Film Will Stream After 54 Years on Disney+
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‘Man’s Castle’: Free Love, Hard Times
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How They Pulled Off the Ending to ‘Civil War’
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‘The Stranger’ Review: Somewhere Over the Freeway
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Prince Harry Hits the Polo Field in Front of Netflix Cameras
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Netflix’s New Film Strategy: More About the Audience, Less About Auteurs
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‘Civil War,’ ‘Sasquatch Sunset' and Other New Movies Our Critics Are Talking About
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A.I. Made These Movies Sharper. Critics Say It Ruined Them.
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Eleanor Coppola, Who Chronicled Her Family’s Filmmaking, Dies at 87
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7 New Movies Our Critics Are Talking About This Week
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Before He Was Infamous, O.J. Simpson’s Acting Helped Make Him Famous
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‘Civil War’ Review: We Have Met the Enemy and It Is Us. Again.
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Theda Hammel’s Road to a Directorial Debut With ‘Stress Positions’
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‘It’s Only Life After All’ Review: Indigo Girls Documentary
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What to Know About ‘Sasquatch Sunset’
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Trevor Griffiths, Marxist Writer for Stage and Screen, Dies at 88
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Downtown Los Angeles Places Another Big Bet on the Arts
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Why Filmmakers Love to Adapt Patricia Highsmith’s Ripley
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Rufus Sewell Plays a Gasping Prince Andrew in ‘Scoop’
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The Best True Crime to Stream: Scams, Schemes and Costly Lies
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To Live Long and Prosper, Do What George Takei Does
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‘Zone of Interest’ Oscars Speech Is Defended by Jewish Film Artists
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‘Zone of Interest’ Oscars Speech Is Defended by Jewish Film Artists
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5 Children’s Movies to Stream Now
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Directing ‘Monkey Man,’ Dev Patel Makes Himself an Action Hero
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‘The Beast’ Review: Master of Puppets
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‘Música’ Review: Rudy Mancuso’s Debut Feature
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Eli Noyes, Animator Who Turned Clay and Sand Into Art, Dies at 81
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Julia Stiles, 25 Years After “10 Things I Hate About You”
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#MeToo Stalled in France. Judith Godrèche Might Be Changing That.
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The Best Movies and TV Shows Coming to Amazon, Disney+, Apple TV+ and More in April
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Barbara Rush, Award-Winning TV and Film Actress, Dies at 97
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Rebecca Hall on ‘Godzilla x Kong’ and Finding Her Way in Hollywood
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‘The People’s Joker’ and the Perils of Playing With a Studio’s Copyright
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