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Showing posts from March, 2024
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Paula Weinstein, Hollywood Veteran and Political Activist, Dies at 78
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Louis Gossett Jr. Streaming Guide: ‘An Officer and a Gentleman’ to ‘The Color Purple’
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Stream These 12 Movies Before They Leave Netflix in April
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‘Romancing the Stone’ and Its Screenwriter’s Tragic Tale
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‘The Who’s Tommy’ Review: Going Full Tilt
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‘La Chimera’ Review: A Treasure Trove
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‘Asphalt City’ Review: Arbiters of Life and Death
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‘Wicked Little Letters’ Review: Prim, Proper and Profane
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Steve Buscemi’s ‘The Listener’ Looks at Post-Covid Loneliness
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What is Night Flight Plus? A Streaming Alternative to Netflix and Hulu.
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Martin Scorsese to Headline a Religious Series for Fox Nation
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The Best of Late Night, at the Movies and Beyond
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‘The Truth vs. Alex Jones’ Review: How Conspiracy Theories Work
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Nicole Scherzinger to Star in ‘Sunset Boulevard’ on Broadway in the Fall
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With ‘Tommy’ Revival, Pete Townshend Is Talking to a New Generation
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The Invention of a Desert Tongue for ‘Dune’
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‘Road House’ Review: This Remake Amps Up the Action
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Five Action Movies to Stream Now
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‘West Indies’: The Slave Ship Musical You Didn’t Know Existed
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Julie Robinson Belafonte, Dancer, Actress and Activist, Dies at 95
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‘Freaknik’ Documentary Invites Viewers to Black College Spring Break
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M. Emmet Walsh, Character Actor Who Always Stood Out, Dies at 88
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‘Breaking,’ ‘Thanksgiving’ and More Streaming Gems
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Review: An Affair to Dismember, in the Gory Musical ‘Teeth’
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Jonathan Majors Accused of Assault and Defamation in Lawsuit by Ex-Girlfriend
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Jewish Film Professionals Denounce Speech by ‘Zone of Interest’ Director
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‘Eternal Sunshine of the Spotless Mind’: Still Hard to Forget
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David Seidler, Oscar-Winning Writer of ‘The King’s Speech,’ Dies at 86
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Ed Mintz, Who Gave Audiences the Chance to Grade Films, Dies at 83
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‘Stormy’ Review: Trials and Travails
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Hollywood Actors Are Leaping Into Video Games
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Joe Camp, Filmmaker Behind ‘Benji’ Franchise, Dies at 84
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In These CGI-Heavy Movies, There’s Not an Explosion in Sight
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‘The American Society of Magical Negroes’ Review
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Cillian Murphy, Barry Keoghan, and Paul Mescal Spark a Thirst for the Irish
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The Surprise Ending of ‘Dune,’ the Popcorn Bucket
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‘Irish Wish’ Review: Beware of Getting What You Want
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In the Oscars Audience, Candid Photos From the Ceremony
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‘Ryuichi Sakamoto: Opus’: A Parting Gift From a Master Musician
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‘One Life’ Review: One Man’s Rescue of Children in Wartime
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‘The Animal Kingdom’ Review: A Beastly Disease
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Ed Begley Jr. and Daughter Hayden Took the LA Metro to the Oscars
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With Humor, Kobi Libii Gives His Characters a Different Superpower
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Al Pacino Explains Awkward Oscars Moment Presenting Best Picture
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Cillian Murphy: Get to Know the New Oscar Winner’s Work
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Inside the 2024 Vanity Fair Oscars Party
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Oscars, Torn Between Past and Present, Still Had Some Fun
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Los Angeles Protests Call for a Gaza Cease-Fire Ahead of the Oscars
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Here Are the 2024 Oscars Host, Presenters and Performers
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Paolo Taviani, Half of a Famed Italian Filmmaking Duo, Dies at 92
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Oscars 2024 Winners: Updating List
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25 Biggest Oscar Snubs of All Time
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David Bordwell, Scholar Who Demystified Filmmaking, Dies at 76
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Five International Movies to Stream Now
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An Oscar-Winning Concert Documentary That Speaks Volumes About America
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‘Imaginary’ Review: Bear Necessity
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‘Damsel’ Review: Yet Another Strong Female Lead
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‘Glitter & Doom’ Review: Romance With an Indigo Girls Soundtrack
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‘High & Low — John Galliano’ Review: Designing a Comeback
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Expecting Protests at the Oscars, Police Plan to Beef Up Security
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The Oscars Carpet Color Goes Back to Red
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‘Ricky Stanicky’ Review: Best Fiends Forever
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Denzel Washington and Jake Gyllenhaal to Lead Broadway ‘Othello’
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How Much Say Should Families Have in Biopics?
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‘A Revolution on Canvas’ Review: The Personal, the Political and the Painting
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If You See Only One Beaver Movie This Year …
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‘Barbie’ | Anatomy of a Scene
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‘Dune: Part Two’ Gives Sci-Fi-Obsessed Silicon Valley a Reason to Party
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Bringing ‘Teeth,’ a Feminist Awakening With a Lethal Bite, to the Stage
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Wanted: Writers for Awards Show Jokes. Must Be Skilled at Diplomacy
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Why Is There No Oscar for Best Choreography?
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Kate Winslet on ‘The Regime’ and Resilience In Hollywood
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In ‘Oppenheimer’ and ‘The Zone of Interest,’ We Hear What We Are
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“Barbie” and “Poor Things” Show Two Versions of Female Liberation
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Robert M. Young, Filmmaker Who Indulged His Wanderlust, Dies at 99
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The Best Movies and TV Shows Coming to Amazon, Disney+, Hulu, Max and More in March
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‘Jodorowsky’s Dune’ Documentary Chronicles the Movie Adaptation That Never Happened
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